One might think, I have gone a little lunatic, but I am not. My mother had me tested. All kidding aside though, this topic is extremely important to me and that’s why I support #OccupySOPA.

You have never heard of SOPA?
You have come to the right place and before someone asks, no, I am, by no means, an expert in this field!

SOPA is short for “Stop Online Piracy Act”. A bill swirling around in the US Senate as PIPA (Protect IP Act) and the House for quite some time. It’s Hollywood’s last straw to grab in order to maintain profits without innovation. Nothing more. Nothing less. If you look at all the networks, TV channels and movie studios supporting SOPA/PIPA, it becomes clear what is behind all that.

But because I could never express it a such a short and informative way, I urge you to watch this short video; to educate yourself and to think about what this could mean if the US government passes the bill. Internet-based companies, start-ups, all innovation over the last decade and the future are possibly in danger. The freedom of the internet and what we all love about it – Facebook, Google, Wikipedia. Gone for good. Take action. This is serious.

PROTECT IP / SOPA Breaks The Internet from Fight for the Future on Vimeo.

For further information and to take action, please refer to one of the following websites:

- http://fightforthefuture.org/pipa
- http://sopastrike.com/
- https://www.google.com/landing/takeaction/

One of the parks on the list was the bizarre, yet beautiful Mono Lake State Reservation area, pictured below during a crisp August sunrise over the calcium-carbonate spires rising from the interaction of freshwater springs and alkaline lake water, just east of Yosemite National Park and the Eastern Sierra Nevada.

Mono Lake, which covers roughly 65 square miles, is considered one of North America’s oldest lakes with a probable age of over 1 million years. Aside from the beauty these alien-like tufa-towers provide, Mono Lake is an essential part for the well being of our ecosystem. Each year, as many as 65,000 California gulls are hatched at the shoreline of the lake, making Mono Lake the second largest breeding colony behind Utah’s Great Salt Lake. Additionally, the waters of the lake are home to 4 to 6 trillion brine shrimp – a species only to be found at Mono Lake.

So why the past tense? This past Friday, December 2nd 2011, it was announced that the Mono Lake State Reservation area was taken off the closure list. What a relief. But does it really change much? Will it have an impact? Why did this first success not go viral? How can I help?

I am not from California – heck, I’m not even from the US. So some might wonder why keeping those parks is so important to me. Well, the answer is pretty easy. Because the landscapes, historic structures and sights need to be protected for future generations – the reason they were created in the first place. I’m not here to preach, far from it, actually. It would just be sad to see these beautiful areas gone for good. The old saying, “You won’t miss it until it is gone” certainly applies here for many, it seems. There was no public uproar (at least none that I remember), it wasn’t on every station but I do believe that it needs to be, more people need to know about this, more people need to care about the lands in danger. I am sure most know everything about the divorce of Kim Kardashian though. (Add cynical commentary here.)

Just a couple of hours ago, I came across a project that really grabbed my eye and is the reason for this blog entry. The guys behind “The First 70″ require funding for their documentary film about the state park closures.

With passion and a lot of commitment, they want to show the beauty of the parks in all their glory, as they think, and I fully agree with them, the whole case didn’t quite grab the media outreach it deserved.

Without further ado, please watch the trailer below and consider helping them out by either contributing at or by sharing this blog entry, the link to the trailer and other info across the interwebs.

The First 70 Trailer from Heath Hen Films on Vimeo.

For a full list of parks on the closure list:
http://my.calparks.org/site/PageServer?pagename=2011ParkClosures

Thank you.

Tony Wu is a professional underwater photographer whose work I regularly check out because it takes your breath away. Got it? Underwater photography – breath…. never mind. Anyway, I highly recommend checking out his portfolio. It oozes greatness.

While we’re at it and this is the whole reason of this blog post…

Can I have one of your images for free, Tony? It would make a great background for my non-commercial site! Thanks in advance.

The problem is right there. Everybody believes anything on the internet is free to use for any matter you can think of and to some degree, I think this is true for about anyone on the internet, me included. Hey, I am not Mother Theresa either but truth be told, a quick Google image search revealed my images on blogs in Japan, Brazil, Zimbabwe and a couple dozen other countries; most recently on a photography website in Portugal. Yes, they gave me credit – at least.

However, I can’t even count the numerous times I have gotten requests to use my images for free for whatever reason, which I sometimes felt bad to decline, but mostly was just annoyed or even amused to some degree about the impolite way of asking for it. As a person trying to make a living with photography, you just cannot live off of water, love and image credit. You need money in the bank to support your family and travel to all those fancy places you like to decorate your homepage with, you save the environment with and help a fellow of yours out for a great cause. That’s fine and all, but while you help others, you’re not helping me. Every image spread across whatever medium that I did not get paid for, is one place less traveled and photographed. Think about it. Do this a couple of times more and you might have nothing left to take for free.

Tony’s thoughtful blog post covers just this experience and the way to handle requests. There is just no perfect way to respond but Tony’s way of dealing with it proves to be a real time keeper, raises valid points for the “right-grabbers” to consider and to eventually change their habits. (Which, in all honesty, I doubt.) Read the whole response here and share with whomever you think might enjoy it. It’s free!

So let it be that, another rambling. Remember, not everything on the web is free!

Last week I was finally able to catch a sunrise over the Ore Mountain ridges with a little fog settling in the valleys below, becoming illuminated by the wonderful warm sunlight hitting just the top layers and creating a somewhat mysterious atmosphere.

Then, I am on to share another shot from Germany taken some months ago at one of my favorite spots for lupines in the whole region. This year, the flowers were not as abundant as in the previous years but the sky was certainly one of the best I have ever seen here. Enjoy.

Now for the bad and ugly and back to the good. An odyssey in the customer service industry in Germany.

Many of you know, as a landscape photographer, your shooting and well-feeling in the field, stands and falls with your gear and we’re not talking about cameras and lenses here, but rather hard- and soft-shell jackets and pants, water-proof boots, etc. Either way, I was pretty disappointed in recently acquired gear, two hardshell jackets to name it, that literally failed on the first time wearing them.

I contacted the manufacturer, who, in the US, is known for the best of the best in customer service, but apparently, things move at a different speed here in Germany and my experience was far off of pleasant. I honestly did not expect them to send two new jackets out my way but at least some sort of apology with the request to send the jackets in for inspection of the matter or anything in this direction, but not so, instead they send me the following lines back. “Of course it is always a pity if a beloved product doesn’t function the way it used to.” What? Excuse me? Did you just say beloved product? I am really sorry, but I didn’t have time to enjoy said product(s) at all because they failed miserably the first time out in the field.

Long story short, I contacted the online retailer where I got both jackets and this time, I was more than pleased and received more than I ever expected after the first experience with the manufacturer. Not only they offered me to send me in the gear at no cost, picked up from my doorstep, the communication was super friendly and I knew at any point what was going on, where my gear has headed, etc. They handled the matter to my fullest satisfaction, but now you need to know who I was so pleased to deal with, huh?

bergfreunde.de is where it’s at, folks. At least if you want to shop for outdoor gear in Germany.

For recommendations on where to buy your gear, please refer to the links section of my website. Thanks for letting me rant. Oh wait, this is MY blog. Haha!

I know I said this in the past and failed, but it won’t be too long till the next update.

Dodging and burning an image, in other terms, lightening and darkening pixels has been around since the dark age of film photography – just without the pixels though. One person who brought dodge/burn to the next level and perfected the craft was certainly Ansel Adams. Without wanting to get too much into the history of photography, this technique has been around for long and will continue to be so and for good reason.

But all that aside, let’s get down to business. As you might have heard, Adobe Photoshop has specific tools for those actions (Shortcuts – Mac/PC: “O” ["Shift" + "O"]), but while using those tools on a layer of pixels gets the job done, it is not advisable to do so. Working directly on your image and not an adjustment layer of any kind will in the long term degrade the quality of your work. Think of the following situation, you worked for hours on a scene, improving, tweaking and refining. You save your work, get it printed and then realize you dodged certain areas too much or too little, all the tweaking you did introduced noise, artifacts or halos where dark edges stand against a bright ground, which was not noticeable on the screen but now becomes problematic in print; but you cannot simply go back and alter the adjustments as you worked directly on your image layer. All the effort you put in, all of a sudden, becomes useless and you need to start off another Photoshop session.

A non-destructive workflow is the magic word here and I am sure you have heard about it but were never too sure what it involved. While this is not my topic for this tutorial, please check out Sean Bagshaw’s thoughtful post on the PhotoCascadia blog, where he shares deep and helpful insights in his processing workflow: http://photocascadia.wordpress.com/2011/02/23/is-your-processing-workflow-non-destructive/.

So how can I make use of this technique for dodging and burning? Please read on. The basic idea is to “outsource” the technique from the pixel layer to an adjustment layer that can be altered whenever you open your PSD or TIFF file.

First thing we need to do is to create a new layer and fill it with 50% gray.
To do this, hold “Shift” + “Command” + “Option” + “N” on a Mac and “Shift” + “Ctrl” + “Alt” + “N” on a PC; which will create a new layer on top of the current layer you are working on.
Then, go to Edit > Fill (or use the shortcuts: “Shift + “Delete” on a Mac / “Shift + Backspace” on a PC) which will open the Fill dialog box. Set the “Use”-option to 50% gray, blending mode normal and opacity to 100%, as shown below.

We’re almost done. Last thing we need to do, is to set the blend mode of the dodge and burn layer to soft light and we’re good to go.

To save you some time, I have created a Photoshop action for you to download. Just read on, the download link will be found at the end of this tutorial.

But how does it work? Who is familiar with the blend modes in Photoshop knows that the soft light blending mode will proportionally highlight or darken the layer underneath by the amount it is lighter or darker than 50% gray. That said, painting white on the dodge and burn layer will highlight the portion (dodge) while painting over it, while black will darken (burn) the part of the image. All this can be revoked by painting over the layer with 50% gray set as you brush color. Fairly easy, huh?

Results? You asked for them. Here is a recently reprocessed image from Mesa Arch in Canyonlands NP, Utah. I used a dodge and burn layers to highlight some of the foreground rocks that were touched by the presence of the rising sun but still felt a little too dark and to darken the sunbeam for a more aesthetic appeal, as well as light dodging and burning to even out the exposure.

Final image: (Mouseover for the pre-dodge and burn image!)

Dodge and burn layer:

Download PDF of this tutorial Download Photoshop action

Some of you might wonder what’s the deal with me shooting food now. To cut the long story short, when the landscape and sky are rather dull, and quite frankly, they were pretty much all time this year, it’s great to have something to shoot in or around the house. While spring flowers like tulips and ranunculus have there fixed position in my yearly things to do in spring list, it’s always nice to venture out into a new field of photography. May it be the challenge of some sort, with its own limitations and a way to broaden one’s horizon or simply the fact to learn a new technique for a certain style of shooting which you can adapt to other fields of photography.

Fennel Orange Salad with cucumber, red onion and pear.

For me, it was kind of both. While cooking is nothing new to me, cooking for photos certainly is. I am not a professional food stylist my any means nor do I spill a gallon of motor oil over the salad to make it look, well, tasty. It’s rather the fact how you put the food on the plate. When cooking for friends, I take great care about how the food looks on the table. While you might think that is nothing different for photos, you err. Making food look good on the plate alone is one thing, making it look good in the photos you take is a different kettle of fish.

Beef, lettuce hearts, ripe mango, red onion rings, Parmesan cheese and mango garlic mayo between sesame and black cumin seed bun.

I am sure some professional food stylists and photographers will laugh at my approach but what do I care? Being a landscape photographer at heart, I tried to bring the basic principles of composition onto the plate, all spiced up by some high key treatment. These concepts, of course, are leading lines, some kind of foreground element that pulls the viewer into the scene and the rule of thirds. You can find these concepts perfectly illustrated and adapted to landscape photography in the article “Understanding Composition” at the Aperture Academy website which I highly recommend.

That being said, I hope you feel somewhat satiated and remember to try something new and challenging when the light isn’t just right and if you like, share your experiments here on the blog.

I’ll be back with flowers and waterfall pictures next week. Please excuse me while I plan my 3 month US trip this summer. California watch out! LOL

David

P.S. I also played around with the new possibilities of CSS3 and jQuery to add to my website later. Head over to the new and improved contact form and let me know what you think. It features my take at the iPhone unlock slider, which ironically doesn’t work on the iPhone itself yet but I am working on it.

Dear Mr. Blog,
I’d like to apologize for having neglected you so long. You have been a wonderful friend in these hard times and I hope our friendship will continue despite my poor interest in you. lol Okay folks, just trying to be funny but here is a short wrap up of how the past year ended for me. I did not realize until now that I have not written anything about my tour through the city of Dresden with David Bank from London and Matthias from Berlin.

“Dresden at Dusk”

Canon Rebel XSi with Tokina 11-16mm f/2.8 @ 11mm, 8s, f/11, iso 100

David (the other one – not me!) was nice enough to drop by for a day worth of shooting in my current living room, so to speak. Being an architect by day and a photographer by night (or rather the hour before and after sunset, which is often referred to as Blue Hour, but more on that later.); his portfolio is filled with stunning cityscapes from all over the world. Names of cities that make every avid traveler’s heart beat twice as fast: Beijing, London, Madrid, San Francisco, Paris, Chicago, Shanghai, New York and Hong Kong to name just a few. You can check out his fantastic work on his flickr stream as his website is currently in a redesign state.

Alright, now let’s get serious about the photos and the blue hour. Our little group met at what is easily defined as Dresden’s icon: the Frauenkirche (Church of Our Lady). The light was just shifting to an overcast gray but fortunately David and Matthias were able to grab some of the finest light of the day before I arrived to meet up with them. After a brief overview of what I had in mind regarding places to shoot, we made our way to the IT faculty of the TU Dresden which I thought would be an interesting subject for us to shoot. Luckily, we were able to get in and the architect in our group appreciated the contemporary design quite a bit. Yes, even the bathrooms are lime green. No, I didn’t get a shot from this very place but others sure did.

“The Green Chamber”

Canon Rebel XSi with Tokina 11-16mm f/2.8 @ 11mm, 0.8s, f/10, iso 100

After exploring the building it was about time to get back into the historic city center, rushing past my beloved Starbucks and through masses of tourists which always seem to be there. In the coldest days, in the rainiest and even at 3 in the morning but that’s another story. We made it to Bruehl’s Terrace which should be the main spot for the evening, just in time for the beginning of the blue hour. (See the first picture of this post.) The blue hour is the magical transition from day to night and vice versa, after the sun has set or before the sun is about to rise and the sky is dyed in a steel blue curtain. For us photographers, this is the perfect time of the day to shoot cityscapes but don’t get me wrong, we also appreciate a nice sunset (which is just about to happen as I type this) or sunrise.

“Gold and Black” (… and a blue hour sky.)

Canon Rebel XSi with Tokina 11-16mm f/2.8 @ 12mm, 8s, f/13, iso 100

The blue hour, also known as twilight or l’heure bleue, makes up for stunning city photography experiences. You can get elements in one shot that seem to be impossible at other times of the day. One of the major aspects of a great composition can be light trails from cars or trams passing by. You can create a sense of motion and these light trails can also be used as lines to lead the eye of the viewer through the scene.

“Passing By”

Canon Rebel XSi with Tokina 11-16mm f/2.8 @ 12mm, 10s, f/10, iso 100

Such as in the shot above. I studied scene for quite a while before setting up for the shot and therefore knowing exactly where the street car would pass and where the lights of it would be. I composed it to have the majestic church sitting two-thirds horizontally, the golden glowing tower of the Dresden castle on the one-third axis vertically and the right face of the church on the two-thirds axis while the cars and tram passing are in some sort of “C”-shape to create impact. I have chosen a longer exposure than it would be necessary by adding a circular polarizer to the front of my lens to get longer light trails and to blur the detail of the cars completely to create this see-through appearance and therefore not to lose any detail in the historic architecture.

After we covered all the major sights of the city center, it was time for the last spot for the day. The view towards the city made famous by Bernardo Bellotto, better know as Canaletto, a Venetian painter from the 18th century. Night set and we were in desperate need of food and a cool one to call it a day.

See you next time with some more winterly shots to complete the winter wrap up. I promise that it won’t be too long.

Until then, happy shooting and never stop exploring.

David

Anyhow, since I mostly wanted to talk about photography, here we go. After a rather brown and gray November and December, which given a normal year, are rather white then brown and muddy, it was the January that finally brought me the snow I was hoping for for quite some time.

But with the approaching snow, the good light faded more and more and instead of watching amazing sunrises and sunsets I’ve been constantly greeted with uniform, dull skies but these did not stop my from trying, to some extent.

The first image I want to share was taken on a hike I took earlier in the year. The fresh snow and below zero temperatures created an interesting backdrop for the single tree standing on the wide open range. The hoarfrost on the twigs resulted in a great contrast to the dark, ominous sky.

Canon Rebel XSi with Tokina 11-16mm f/2.8 @ 11mm, 1/5sec, f/14.

Next in line is a study of the complex birch tree covered in heavy rime ice. A scene that is easily overseen by many but in situations of longer periods of bad light you learn to appreciate details and abstract views.

Canon Rebel XSi with EF Canon 70-200mm f/4L @ 200mm, 1/400sec, f/4, ISO400.

I have never been a wildlife photographer but as of late, blame it on the light and Canon for making incredible sharp lenses, I have learned to love avian photography. Photographing birds requires a completely different set of skills than landscape photography. Who would have thunk? I can see though how these two fields of photography complement each other and how learning and experimenting in one field can lead to an improvement in other fields of photography. Both, landscape and avian photography, require patience but then are completely different. When hiking and shooting in the mountains, shooting lakes and the like, it’s all about light, you “simply” have to wait out the bad light and hope the magical two minutes will happen. Shooting birds is different, your mind has to be in a constant hunting mode. Every second the bird can pop out through the branches and be gone a second or two later. There’s no reading books, no walking around, jumping up and down to keep you warm. It’s a tiring battle with critters weighing as much as an USB stick.

Canon Rebel XSi with EF Canon 70-200mm f/4L @ 200mm, 1/500sec, f/4, ISO400.

The shot above is of an Eurasian Bullfinch (Pyrrhula pyrrhula) in a thick forest of pines and easily the most colorful thing I have photographed all winter long. Getting this shot required even more than a little luck and patience. It almost cost me an eye to get close to the bird, crawling through the lower branches of pine trees to catch this beautiful male bird. Pine needles are weapons and should be put under restrictions. All kidding aside, Eurasian Bullfinchs are truly a challenge. They easily rank in the first spot when it comes to shy birds (which I tried to shoot) and are usually gone with the slightest unexpected movement or sound. Or maybe I should get some fancy pine and spruce branches to build my very own camouflage hat?

Canon Rebel XSi with EF Canon 70-200mm f/4L @ 200mm, 1/800sec, f/5.6, ISO400.

Another bird image and the last for today features a small younger Blue Tit (Cyanistes caeruleus) resting on a twig of a whitethorn bush.

Next challenge: Bohemian Waxwing (Bombycilla garrulus) if they will ever come that far south.

Since I promised to include a short trip report from yesterday on my flickr page, please prepare yourself for another episode of: “Photo-G goes Wild. Raw and unfiltered.”

Being greeted with clear blue skies I decided it was finally time for an extended skiing trip through the forests and fields around home. I had planned to go for two hours, shoot along the way and maybe extend it to three hours. What I did not plan happened. I left after a delicious lunch with green Thai curry and to blow it off (pun intended), no, this was not part of the problem. After passing the first mountain ridge and skiing downhill into the forest where I expected to see some wildlife, the blue sky was completely gone and a snow storm started to kick in. Thinking of nothing bad I proceeded through the forest up and down the slopes, finally arriving at the river where I hoped to see, if not photograph, Common Kingfishers and White-throated Dippers which usually are easier to spot now than in the summer due to the few remaining open spots in the river. While I did not see any Kingfishers I was able to spot one Dipper along the way and let me say this, it is truly an amazing animal. Diving into the ice cold water of the fast flowing river in search of little fly larva and other critters. I applaud you White-throated Dipper! If it was me, I’d have backed out. To cut it short, I was caught in a major snowstorm on my way back home, I missed my dear deer Janet and Janice standing only 30 or so feet away due to the high winds that were blowing snow in my face like mad and if that wasn’t enough punishment, I had to find my way home in the pitch-black dark without a headlamp – on skis two inch wide. Fun! I am sure there are more episodes to be shared.

Happy shooting my friends, fellow photographers and nature lovers!

David

Sunday morning I made my way out to a spot I haven’t been before but knew it was going to be a great experience when I saw the trail head to an 8 mile loop up the valley through a vast forest in Germany’s Ore Mountains. Let’s say this, the first two miles are great, the rest was rather strenuous and required a little dedication.

Here’s the creek running down along the trail for the first mile or so after uniting from several really small water sources. Click on the picture for a larger view!

Canon Rebel XSi with Tokina 11-16mm f/2.8 @ 12mm, 0.8sec, f/18.

While the snow was nice to look at in person, having the appearance of powdered sugar, it was difficult to photograph since the trees do not provide any kind of natural filter this time of the year due to the lack of foliage and the low amount of snow made the scenes look cluttered but this didn’t stop me from shooting. It is December and only the second time I had snow under my feet! Nothing was going to stop me!

Another composition with countless broken tree trunks from the past winters lining up with the diagonal layers of rocks and the rushing water.

Canon Rebel XSi with Tokina 11-16mm f/2.8 @ 11mm, 0.8sec, f/20.

While I probably will not do the complete hike again, I am pretty confident to return when the creek has seen a good amount of snow and then definitely in the spring when the greens of the beeches and ferns will be glowing.

“The Remnants of the Past” were omnipresent during the whole time. Old or cut-down tree trunks adorn the trail up the mountain and the one depicted made the best foreground against a small meadow where snow and ice covered the spruces in the background, all lit up by early morning light.

Canon Rebel XSi with Tokina 11-16mm f/2.8 @ 11mm, 0.8sec, f/20.

It’s that time of the year again where the big hunt for Christmas presents falls into place and to the surprise of many I still have to hunt some good things down. So, see you later folks with part two of the past weekend.

Happy Holiday Season and cheers on a successful hunt!
David

The shot that accompanies today’s post was taken way back in the middle of October when I experienced the first snowfall of the season and there was hope we could be looking forward to a great winter. A week later, all snow was gone and the warmest November I remember made its way into the history books. Now, in December, I am still waiting for a decent snow cover to veil the landscape. I am really not sure what to think about the weather situation. Could it be the global warming kicking in? Anyhow, I am really hoping for a white Christmas and looking forward to some photographic tours which have yet to be planned in detail but rest assured, you’ll be the first to know.

While snow-shoeing through the freshly fallen snow, the sky seemed to clear a little from the layer of fog that was surrounding the 4000ft. peak of the Fichtelberg in Germany’s Ore Mountains and I set up for a shot into the deep forest covering all flanks of the mountain when a beautiful deer rambled into the scene. This is certainly not the composition I usually would have chosen but it was impossible not to shoot the deer. I got lucky with this one for sure. The deer posed for a few seconds, I snapped a frame and with the sound of the shutter it went off, deeper into the forest.

Canon Rebel XSi with Tokina 11-16mm f/2.8 @ 11mm, 1/20sec, f/14.

There’s still hope for a little snow before the year will come to an end though. How did you fare so far? Happy with the weather – or not? Feel free to leave a comment with your experiences.

Best wishes,
David